Cure fans have long championed the band’s excellent B-sides. But which of those songs would actually function in the context of The Cure’s albums, and which songs should be removed to make room for them? ID:UD goes into deep Curegeek territory with four hypothetical substitutions.
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The iconic deathrock band returns with a record of glam-inflected experimentation.
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The third release from Daniel Graves’ now full-time band plays to Aesthetic Perfection’s strengths and moves the project’s sound along well – so what’s all the hubbub about?
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Swedish post-punks come into their own on their third LP, a refreshingly bright and melodic record.
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Electro craftsman Martin Rudefelt returns with an intriguing EP rooted in the exploration of deep space.
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We hold court on which long-in-the-tooth films bands need to stop sampling, and suggest some more recent alternatives.
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Some tasty and cultured cuts from Aiboforcen, For All The Emptiness, Peter Murphy, and Myths.
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Another solid entry in the voluminous discography of the masters of cinematic atmosphere and monumental sound.
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Another sprawling, bewildering, and ultimately successful outing from the science-fiction themed outfit fronted by the legendary Jean-Luc De Meyer.
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This bleak, relentless, and utterly fantastic slice of misanthropic EBM deserves top marks from aficionados.
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The latest from the darkwave studio wizards is a calm, but characteristically finely crafted listen.
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Bruce looks at the new LP from the electro-industrial mainstays from an outsider’s perspective.
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The Belgian industrial percussion collective’s fifth LP is both a mature and nuanced listen as well as the perfect introduction to all that these stalwart anarcho noisemakers do.
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Some quick cuts from the German die-hards’ latest.
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As a modern goth record, Change Of Skin is perfectly decent. As a reunion LP released under the Danse Society name, it’s utterly bizarre.
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