Norillag, “Kombinat”
A studio floor recording captures the intensity of Norillag’s scrap metal industrial performances.
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Author: Bruce
Antigen Shift, “Verified Unidentified”
Antigen Shift return in grand fashion with a record drawing upon the last quarter century of industrial sub-styles.
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Puerta Negra, “Metafísica”
Puerta Negra return with a welcome blast of their raw, mutant EBM sound.
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Requiem In White, “The Visible Heaven”
Requiem In White return in grand goth rock fashion after a three decade layoff.
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Kurs, “Murder (P. 1)”
The third LP from Italian project Kurs continues its high-concept, brooding approach to electro-industrial.
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Bustié, “Throb”
Bustié’s lethal combo of body music, latin freestyle, and deathrock drama explodes with one of 2026’s hottest LPs.
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The Luna Sequence, “Rifts Become Passages”
The Luna Sequence’s melodic, progressive read on industrial metal continues to bloom.
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Caldon Glover, “The Barren Gospel”
Caldon Glover’s latest offers a distinctly American and high concept presentation of dark ambient and field recordings.
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Bent, “Renascence”
Tranquil dark electro soundscapes are navigated on Bent’s first LP.
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Flint Glass & Ah Cama-Sotz, “The Shadow Of The Torturer”
Flint Glass & Ah Cama-Sotz’s second collaborative LP takes a cinematic approach to Gene Wolf’s legendary “The Book Of The New Sun”.
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Sonic Area, “And Shadow”
Even in a club inspired new record, Arnaud Coëffic’s Sonic Area project casts fresh perspectives on electronic minimalism.
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Divider, “Zero”
LA act Divider’s approaches to EBM remain deceptively complex as ever on their new record.
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Diavol Strâin, “Eterno Retorno”
A bracing and full-bodied blast of maximalist darkwave from Chile’s Diavol Strâin makes a strong early bid for darkwave record of the year.
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Mesh, “The Truth Doesn’t Matter”
Veteran synthpop/rock fusionists Mesh draw together some of their best songwriting and arrangement manoeuvres.
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Magnetism, “Inside The Temple Of Carcinogenic Waste”
Prolific producer Fredrik Djurfeldt takes a brooding and reflective tack with his latest project.
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