Solo Ansamblis, “Scenos”
Solo Ansamblis’ rhythmic strengths and callbacks to lesser explored styles brings some welcome colour to post-punk.
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Author: Bruce
Ye Gods, “Black Moon”
The middle third of Antoni Maiovvi’s hermetic trilogy offers an elegant and approachable post-industrial metaphysical journey.
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Minuit Machine, “Queendom”
The new incarnation of Minuit Machine maintains the project’s darkwave sheen with some slight adjustments.
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Devours, “Sports Car Era”
The latest from Devours is a direct and driving continuation of Jeff Cancade’s electro-pop strengths.
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Alphaxone, “Final Encounter”
Subtle shifts in sound and composition yield inward exploration on the latest from dark ambient producer Alphaxone.
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The Rorschach Garden with Neatless, “Neatless Voyage”
A new intersection of Phillip Münch’s solo projects links quirky synthpop with EBM menace.
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Sleep Forever, “Alter Ego”
Well-ornamented synthpop drifts along pleasantly on Sleep Forever’s second LP.
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Dead Voices On Air, “dadu: tutu:”
Free-form psych and garage rock is blended into Dead Voices On Air’s already broad rubric with the latest from Mark Spybey’s long-running experimental project.
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We Have A Commentary: “The Gothic Sounds of Nightbreed”
There’s a slew of 90s goth up for discussion in this month’s commentary, addressing “The Gothic Sounds Of Nightbreed”.
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grabyourface, “Sadgirl Mixtape”
grabyourface’s latest release is an emotionally brutal and musically varied tour de force.
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This Eternal Decay, “Spettro”
Italy’s This Eternal Decay continue to ply their pleasantly balanced style of continental darkwave.
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Vanligt Folk, “Dischorealism”
Vanligt Folk continue their maddening yet engrossing approach to electronic pastiche and experimentalism.
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Obscure Formats, “Cryptid”
A subtle set of dark club cuts from Obscure Formats touches upon several eras and styles from Rob Galbraith’s career.
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INVA//ID, “The Agony Index”
A mammoth new LP brings INVA//ID’s hybridization of hardcore and industrial rock back into focus.
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Kreign, “III”
The sophomore record from Kreign maintains the duo’s manic yet sleekly produced approach to EBM.
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