Sydney Valette, “Home Alone”
There’s plenty of personality to be found amidst Sydney Valette’s new record of darkwave, synthpop, and minimal wave.
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Reviews
Every week, the Senior Staff offer their perspectives on new releases from across the industrial and goth spectra.
Observer: Spammerheads & Randal Collier-Ford
Short-form reviews of new records by Spammerheads and Randal Collier-Ford.
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Kollaps, “Until The Day I Die”
A third steely blast of pure industrial noise arrives from Australia’s uncompromising Kollaps.
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Eva X, “I Dream of a Reality”
The debut LP from one-woman project Eva X shows some development in terms of style and personality.
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Poison Point, “Poisoned Gloves”
Poison Point go sleek without losing their frenetic energy on their new LP of modern darkwave.
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Alphaxone, “The Infinite Void”
The latest from Alphaxone continues the Iranian dark ambient producer’s journey into deep space.
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Observer: Leere Städte & Executioner’s Mask
Shorter thoughts on new releases by Leere Städte (Die Selektion) and Executioner’s Mask.
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Schneebezen, “Amnesia Lane”
Mecanica unearths a trove of fin-de-siècle synthpop laid down by LA’s Schneebezen in the late ’80s.
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Patriarchy, “The Unself”
Patriarchy tighten up their mixture of darkwave, rock, pop and industrial on their sophomore LP.
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SRSQ, “Ever Crashing”
Kennedy Ashlyn’s sun-soaked sophomore LP as SRSQ basks in the beauty, uncertainty, and absurdity of life.
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Vandal Moon, “Queen of the Night”
Californian darkwavers Vandal Moon put their best foot forward on their enjoyable new LP.
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Flint Glass, “Azathoth”
Flint Glass returns to Lovecraftian influences with the downtempo and ambiently dark “Azathoth”.
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