Kant Kino, “Echoes of the End”
Norwegian electro-industrialists Kant Kino return with a huge double album of solid, groovable electro that maintains their unique sensibility.
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Reviews
Every week, the Senior Staff offer their perspectives on new releases from across the industrial and goth spectra.
Puerta Negra, “Metafísica”
Puerta Negra return with a welcome blast of their raw, mutant EBM sound.
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Observer: A Body Without & Aurat
Thoughts on new EPs by A Body Without and Aurat.
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Requiem In White, “The Visible Heaven”
Requiem In White return in grand goth rock fashion after a three decade layoff.
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Hallows, “Dream”
Hallows move towards synthpop on their newest, and most consistent LP.
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Observer: Blone Noble & Child Of Night
Thoughts on new records by Blone Noble and Child Of Night.
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Damage Code, “Digital Slaves”
Hammershøi and 89s✝︎ come together to make gritty, early 90s-styled EBM.
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Kurs, “Murder (P. 1)”
The third LP from Italian project Kurs continues its high-concept, brooding approach to electro-industrial.
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Observer: Permanent Shadows & Alphaxone
Thoughts on new records by Permanent Shadows and Alphaxone.
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Bustié, “Throb”
Bustié’s lethal combo of body music, latin freestyle, and deathrock drama explodes with one of 2026’s hottest LPs.
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DEAD LIGHTS, “LASH”
Electro-sleaze glam duo DEAD LIGHTS show off some clever ideas, and big sounds on their third LP.
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The Luna Sequence, “Rifts Become Passages”
The Luna Sequence’s melodic, progressive read on industrial metal continues to bloom.
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