Gallows’ Eve, “For The Black Birds”
Gallows’ Eve continue to outpace the rest of the trad goth field with a strong second LP.
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Reviews
Every week, the Senior Staff offer their perspectives on new releases from across the industrial and goth spectra.
Lead Into Gold, “Knife the Ally”
Paul Barker finds a middle ground between experimentalism and formal structures on his latest as Lead Into Gold.
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Observer: E.T. & Nuxx
New releases from E.T. and Nuxx are considered.
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Ships In The Night, “Protection Spells”
The Metropolis debut from the witchy electropop act brims with likeable, earthy confidence.
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Lana Del Rabies, “Le Temps Viendra”
A concept EP concerning Anne Boleyn makes for an oddly suitable platform for Lana Del Rabies’ equally considered and extreme brand of death industrial.
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Observer: Lahorka & Anatoly Grinberg and Mark Spybey
Short-form thoughts on new records by Lahorka and Anatoly Grinberg and Mark Spybey.
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Crush Of Souls, “Lézire”
The second Crush Of Souls LP flits between familiar retreads of classic new wave and some subtler moves.
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V▲LH▲LL, “Skymningsdjur”
Post-witchhouse act V▲LH▲LL do what they do on their new LP.
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Valisia Odell, “Shadow Of A Dream”
An arresting vocal presence guides Valisia Odell’s first solo darkwave release.
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Nevada Hardware, “Split Scene”
The Chicago instrumental project channels big beat, industrial and myriad other sounds into a sample-heavy cyberpunk smorgasbord.
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The Birthday Massacre, “Pathways”
The Birthday Massacre stay doing what they’ve always done well on their latest LP.
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Solo Ansamblis, “Scenos”
Solo Ansamblis’ rhythmic strengths and callbacks to lesser explored styles brings some welcome colour to post-punk.
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