Ash Barrett, “Uncaged”
Former Tassel member Ash Barrett returns to his noise rock roots with an extra application of industrial grime.
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Reviews
Every week, the Senior Staff offer their perspectives on new releases from across the industrial and goth spectra.
Observer: Spammerheads & Sophrosyne
Capsule reviews of new records by Spammerheads and Sophrosyne.
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Morwan, “Vse po kolu, znovu”
Morwan’s latest record brings unexpected weight and muscle to the project’s normally lithe and folk-inspired post-punk.
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s:cage, “We End in a Beautiful Mess”
Ottawa technoid producer s:cage’s first album in almost twenty years threads the needle of design versus emotion.
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Gatekeeper, “Wrong Planet”
The long-awaited return of the groundbreaking electronic project shows they haven’t lost a step in their genre warping electronic explorations.
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The Tear Garden, “Astral Elevator”
The partnership between Edward Ka-Spel and Cevin Key remains delightfully odd, and low-key glorious on their new LP.
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Zanias, “Cataclysm”
While adding some trance and pop colour to her read on darkwave, “Cataclysm” finds Zanias morphing and mutating in response to her own body of work.
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Observer: Slash Need & The Treasury
Thoughts on new records by Slash Need and The Treasury.
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Crematorius, “Efterbörd”
Nordvargr returns to his death industrial roots, reviving one of his earliest projects.
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Ultra Sunn, “The Beast in You”
Ultra Sunn’s new album has ideas, but often struggles in their execution.
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God Tongue, “Liminal”
PNW synthpunk mutants God Tongue keep listeners guessing on their nervous, gritty debut.
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Potochkine, “Sang D’Encre”
Paris’ Potochkine return with a stripped-down yet distinct set of club heaters.
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