Monolith, “Concrete Playground”
The classic rhythmic noise sound of Eric Van Wonterghem’s Monolith feels au courant once again.
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Reviews
Every week, the Senior Staff offer their perspectives on new releases from across the industrial and goth spectra.
Blind Delon, “La Métamorphose”
The latest from French post-punk act leans heavily into goth rock.
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Devours, “Homecoming Queen”
Vancouver’s iconoclastic mutant synthpop alien returns to earth on his latest album of heartbreak and radical sincerity.
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The Bellwether Syndicate, “Vestige & Vigil”
Goth rock veterans The Bellwether Syndicate take a grand tour of styles past and usher them into the present.
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Observer: Yabibo Hazurfa & WLDV
New releases by Yabibo Hazurfa and WLDV are considered.
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Agent Side Grinder, “Jack Vegas”
Agent Side Grinder find a point between disco-accessibility and their trademark analogue menace on their newest LP.
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Zanias, “Chrysalis”
A poppier turn for Zanias doesn’t necessitate the loss of her direct songwriting, nor the ghostly atmospherics of her production.
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Observer: GBxCL & Visceral Anatomy
Short form reviews of new material from GBxCL and Visceral Anatomy.
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Morwan, “Svitaye, Palaye”
Driven from the Ukraine by war, Morwan imbues his hypnotic blend of eastern folk and post-punk with blistering rage and harrowing grief.
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Male Tears, “KRYPT”
Male Tears come through with a new album of darkwave and electropop that spotlights their unique charm and personality.
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Observer: Restive Plaggona & Ortrotasce
Capsule reviews of new releases from Restive Plaggona and Ortrotasce.
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Lead Into Gold, “The Eternal Present”
Paul Barker’s Lead Into Gold reinvents itself in real time on its new LP.
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