She Hates Emotions, “Melancholic Maniac”
Blutengel’s Chris Pohl has a new synthpop project, and it’s just kind of there.
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Reviews
Every week, the Senior Staff offer their perspectives on new releases from across the industrial and goth spectra.
Horror Vacui, “Living For Nothing”
Horror Vacui’s fourth LP finds the deathrock act exploring existential territory with a new melodic fusion of punk and goth rock.
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Replicas: Shinjuku Thief, “The Witch Trilogy”
Shinjuku Thief’s classic trilogy of brusque, abrasive dark ambient and neo-classical is reissued digitally.
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Snog, “Lullabies for the Lithium Age”
Snog’s 11th album has suprisingly less to say about the state of things than you might expect.
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Observer: Majestoluxe & Null Command
Short form reviews of releases by Majestoluxe and Null Command.
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Panic Priest, “Second Seduction”
The sophomore album from Panic Priest shifts approaches, with tangible dividends.
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Black Nail Cabaret, “Gods Verging On Sanity”
Black Nail Cabaret distill dark pop melodies and production into their strongest LP to date.
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K.I. Companion, “Music For Cars”
K.I. Companion, the new project from Andreas Meyer (Forma Tadre), brings calculated synth warmth to the autobahn.
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Houses of Heaven, “Silent Places”
The debut from the California three-piece is simultaneously very big and very dour.
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Steril, “Empiricism”
Cult German electro-industrial act’s most recent album hits digital platforms.
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Fearing, “Shadow”
Oakland’s Fearing offer a slightly dreamy take on dark post-punk with varying results.
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Severe Illusion, “Voluntary Cognitive Dissonance”
A new EP from Severe Illusion refreshes the Swedish act’s blunt and caustic approach to industrial.
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