Alex Reed, “Midnight To Midnight”
Alex Reed of Seeming takes 24 hours to write and record an LP highlighting his genre-hopping style and recurring themes.
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Alphabetical Letter: R
Observer: Imperial Black Unit & Soho Rezanejad
Reviews of short-form releases by Imperial Black Unit and Soho Rezanejad.
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Rosetta Stone, “Seems Like Forever”
The first Rosetta Stone release in nearly twenty years polishes and represents Porl King’s work from that interim period.
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Romy, “Celluloid Self”
Romy showcases her personality and stylistic diversity on her engaging debut LP.
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Run Level Zero, “Swaerm”
Sweden’s Run Level Zero make their long-awaited return with somber, shimmering electro-industrial experimentation.
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In Conversation: Rome, “Le Ceneri Di Heliodoro”
The Senior Staff considers the politically fraught new album from Jerome Reuter.
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Radioaktivists, “Radioakt One”
Scene supergroup Radioaktivists’ debut album justifies its lengthy gestation via smooth and subtle execution.
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Reptilicus & Senking, “Unison”
Freewheeling experimentalism defines these otherwise foreboding sounds on this long-gestating collaboration.
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Observer: Joel Eel + Randolph & Mortimer
Capsule reviews of new releases by Joel Eel and Randolph & Mortimer.
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Observer: Cellar Graves & Razorback Hollow
Capsule reviews of new EPs by Cellar Graves and Razorback Hollow (Glass Apple Bonzai).
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Alex Reed, “The Gothic (songs written 1995-96, age 15-16)”
Seeming’s Alex Reed releases a record of songs he wrote more than 20 years ago as a teenager.
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Observer: Kali Jugend & Roya
Short-form reviews of new works from Kali Jugend and Roya.
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Ritualz, “Doom”
Ritualz returns with an unexpected fusion of witch house and darkwave sounds.
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Soho Rezanejad, “Six Archetypes”
The first LP from the Copenhagen-based artist leaves behind electropop for much stranger territory.
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In Conversation: Rome, “Hall of Thatch”
The Senior Staff cast an eye to the self-critical and spiritually weighty themes of Rome’s latest opus, Hall Of Thatch.
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