Rare DM, “Attention”
Rare DM reveals more of themselves on their new LP of modern electropop.
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Author: alex
Choke Chain, “Decomposition”
The new release from Wisconsin’s Choke Chain moves towards dark electro, a match for the project’s fraught emotion.
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Miracle, “The Living Likeness of My Electric Daemon”
The third LP from the synthpop duo is rich with songcraft, fine production and esoteric reference.
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Sad Lovers & Giants, “The Weight of Forgotten Dreams”
Cult post-punk dreamers Sad Lovers & Giants sound perfectly like themselves on their somber but heartening new LP.
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The Foreign Resort, “Endurance”
Danish post-punk trio bring the thrashing emotion and conviction of their live show to their new album.
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Kant Kino, “Echoes of the End”
Norwegian electro-industrialists Kant Kino return with a huge double album of solid, groovable electro that maintains their unique sensibility.
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Hallows, “Dream”
Hallows move towards synthpop on their newest, and most consistent LP.
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Damage Code, “Digital Slaves”
Hammershøi and 89s✝︎ come together to make gritty, early 90s-styled EBM.
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Pig, “Hurt People Hurt”
Raymond Watts invokes some older sounds that shake up his current approach on his latest LP as Pig.
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DEAD LIGHTS, “LASH”
Electro-sleaze glam duo DEAD LIGHTS show off some clever ideas, and big sounds on their third LP.
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Torture Gallery, “Opening Wounds Of the Shocking Truth”
Cervello Elletronico and Leaether Strip combine forces to make a record of Dive-esque vocal rhythmic noise.
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Bragolin, “I Don’t Like What it Does to Me”
Bragolin’s third album of mopey but very catchy post-punk shores up the band’s key strengths.
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SDH, “Rider”
Spanish duo SDH have crafted their definitive statement to date via the intimate, nervy electro of their third album.
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Madeline Goldstein, “Speaking to the Body”
Los Angeles electronic chanteuse Madeline Goldstein comes through with an album of considerable charm and stature.
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Verttigo, “Tomorrow Is Gone”
Edmonton’s Verttigo hit the middle ground between dreampop and post-punk on their debut LP.
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