Damage Code, “Digital Slaves”
Hammershøi and 89s✝︎ come together to make gritty, early 90s-styled EBM.
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Author: alex
Pig, “Hurt People Hurt”
Raymond Watts invokes some older sounds that shake up his current approach on his latest LP as Pig.
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DEAD LIGHTS, “LASH”
Electro-sleaze glam duo DEAD LIGHTS show off some clever ideas, and big sounds on their third LP.
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Torture Gallery, “Opening Wounds Of the Shocking Truth”
Cervello Elletronico and Leaether Strip combine forces to make a record of Dive-esque vocal rhythmic noise.
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Bragolin, “I Don’t Like What it Does to Me”
Bragolin’s third album of mopey but very catchy post-punk shores up the band’s key strengths.
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SDH, “Rider”
Spanish duo SDH have crafted their definitive statement to date via the intimate, nervy electro of their third album.
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Madeline Goldstein, “Speaking to the Body”
Los Angeles electronic chanteuse Madeline Goldstein comes through with an album of considerable charm and stature.
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Verttigo, “Tomorrow Is Gone”
Edmonton’s Verttigo hit the middle ground between dreampop and post-punk on their debut LP.
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Mecha Maiko, “Nervous System”
The Canadian electropop chanteuse makes weirdly relatable, charming tunes on the new LP.
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clubdrugs, “lovesick”
Chicago darkwave-pop duo clubdrugs come through with a lush, catchy and thoroughly enjoyable debut LP.
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The Violent Youth, “tsvety”
Depressive Euro post-punk is the order of the day on the latest from The Violent Youth.
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Chalk, “Crystalpunk”
Irish duo Chalk bring machine rhythm to the forefront of their industrialized post-punk debut LP.
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DSX, “Cold Ballads”
Dejan Samardzic’s minimal electro outlet DSX returns in a new form that speaks to his history within and without the project.
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This Morn Omina, “Insha”
Long-running ritual industrial act This Morn Omina delivers a varied and often ambient album for Cryo Chamber.
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Converter, “The Four Last Things”
The unanticipated and probably final statement from the influential rhythmic noise act comes to us via an unexpected creative partnership.
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