Reviews
Chrome Corpse, “Anything That Moves”
Chrome Corpse solidify their body music sound on their excellent new LP.
Replicas: Forma Tadre, “Brightful Times”
An early EP and previously unheard demos widen the already expansive range of Forma Tadre’s sounds and influences.
Replicas: D.H.I., “Machine Altar Transmission” & “Pressures Collide”
The cult Canadian 90s industrial act re-release their catalogue via Bandcamp.
SARIN, “Moral Cleansing”
SARIN’s new LP adds moody dark electro sounds to add weight to the project’s EBM-techno delivery.
Klack, “2400bps 8-N-1”
Klack’s second EP of 2019 shows the growth of their throwback dance sounds.
Amrou Kithkin, “Sensorless”
Dreamy darkwavers Amrou Kithkin add a touch more classic goth on their most accomplished release to date.
Observer: Mind | Matter & Crystal Geometry
Capsule reviews of two French techno-industrial releases.
Totem, “Passage”
Totem’s debut album of darkwave makes an asset of foggy atmospheres and distinctive vocals.
Constance Chlore, self-titled
Constance Chlore’s debut is a tense yet quirky tour through synthpunk and EBM sounds.
Observer: Unconscious & Downwell
Thoughts on two new techno-EBM releases from Unconscious and Downwell.
Azar Swan, “The Hissing of a Paper Crane”
Azar Swan take their creative arc to its logical conclusion on their harsh new LP.
Distortion Six, “Norze”
The classic power noise formula is taken up by Distortion Six on their new Nordic-themed LP.
