Mlada Fronta, “No Trespassing”
Mlada Fronta continue down a synthwave path which has become somewhat formalist.
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Author: Bruce
Analfabetism, “Kniven Sitter Kvar i Bonden”
Fredrik Djurfeldt’s Analfabetism project turns its industrial noise toolkit in a somber and reflective direction.
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Missing Witness, “Traitors”
Seattle’s Missing Witness create murky but compelling menace with their second EP.
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Replicas: Coil + Zos Kia + Marc Almond, “How To Destroy Angels”
The early and extreme experimentation of John Balance and Zos Kia is unearthed, buoyed by Marc Almond’s charisma.
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HØRD, “Parallels”
French act HØRD offers strict darkwave on their second LP.
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Individual Totem, “Electrostatic”
German stalwarts Individual Totem mix newer experimentation with older formulas on their new LP.
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Alexandra Atnif, “Seekers Of The Void”
LA noise producer Alexandra Atnif makes a big statement with a record with deep roots in powernoise.
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Observer: Unconscious/HKKPTR & Crudmouth
Capsule reviews of a split by Unconscious & HKKPTR and the debut EP from Crudmouth (Volt 9000 and The Gothsicles).
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ᚾᛟᚢ II // ᚦᛟᚦ ᚷᛁᚷ, “Alpha Ænigma”
A collaboration between Nordvargr and Trepaneringsritualen links a litany of death industrial sounds.
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aliceffekt, “Noon Guest”
Abstracted gaming ambiance showcases aliceffekt’s sound design talents.
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Stockhaussen, “XII”
Coldwave goes to the disco on analog synth maven Stockhaussen’s third LP.
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Replicas: The Cure, “Mixed Up / Torn Down”
The gargantuan three disc reissue of The Cure’s “Mixed Up” imitates the pop excess of the band, even if it can’t hope to circumscribe it.
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Them Are Us Too, “Amends”
Them Are Us Too’s requiem strikes upon the ethereal beauty which made their too-brief time so arresting.
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Vortex, “As Gods Fall”
Bombast and restraint are both found on Vortex’s martial industrial representation of Norse mythology.
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Lana Del Rabies, “Shadow World”
The new LP from Lana Del Rabies varies between industrial, noise, and darkwave markers, but there’s nothing varied about its incendiary and damning thematics.
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