The Tear Garden, “The Brown Acid Caveat”
The collaboration between Cevin Key and Edward Ka-Spel remains mysterious and varied more than 30 years into its existence.
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Alphabetical Letter: T
TSTI, “Endings”
Homage and emotion coincide on the sophomore album from TSTI.
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Terminal Gods, “Wave / Form”
On their first full-length, Terminal Gods cast as wide a net as possible across rock’s darker corners.
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THYX, “Headless”
The latest solo release from mind.in.a.box’s Stefan Poiss relies heavily on his charming persona as a vocalist.
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Tangent, “Transience”
Dutch technoid duo Tangent take a slightly more ambient approach on their new record with Tympanik.
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THYX, “Super Vision”
The third THYX LP in less than two years consolidates Stefan Poiss’ ambitions outside of mind.in.a.box, and prompts reevaluation of his body of work.
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Taphephobia, “Escape From The Mundane Self”
Norway’s Taphephobia skip over much of the traditional dark ambient toolkit, and delivers a stronger (yet more vulnerable) album for it.
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THYX, “Below the City”
The sophomore release from mind.in.a.box’s Stefan Poiss is a showcase for not only his production acumen, but his personality as a performer.
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Tineidae, “Random Signal Analysis”
The odds n’ sods compilation from the Ukrainian producer’s debut shows that he has more styles in his arsenal than initially indicated.
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The Twilight Garden, “Hope”
Cure-influenced darkwave/synth band maintains its foundations on sophomore outing, but also sallies forth into new territory with good results.
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Tweaker, “Call The Time Eternity”
Chris Vrenna returns to his Tweaker project for a far more minimal, percussive, and focused outing than his previous records.
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Twitch the Ripper, “Colorblind”
The Connecticut duo’s first album for Metropolis trades in classic synth-pop, abetted by producer Mark Saunders.
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Tineidae, “Lights”
Trading in the spacey, abstract vein of IDM which is Tympanik’s specialty, newcomer Tineidae acquits himself well.
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THYX, “The Way Home”
The new mind.in.a.box side project finds Stefan Poiss in a far more relaxed and free-form mode than ever before, and offers a loose and fun clutch of tunes.
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T.W.A.T., “Blood, Sweat and Teargas”
Sweden’s T.W.A.T. fuse Oi! Punk and EBM on their 2011 debut, a combination less unusual than you might think.
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