Lana Del Rabies, “Shadow World”
The new LP from Lana Del Rabies varies between industrial, noise, and darkwave markers, but there’s nothing varied about its incendiary and damning thematics.
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Alphabetical Letter: L
Replicas: Lycia, “Bleak – Vane”
The sole album from what was originally a Lycia side-project comes to Bandcamp in its 2009 remastered form.
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Low Factor, “L’Oiseau du Désespoir”
The limits and possibilities of minimal synth instrumentation are stretched on Low Factor’s new LP.
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Leaether Strip, “50”
Claus Larsen marks his half-centennial with another record of rock-solid Leaether Strip dark electro.
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Legend, “Midnight Champion”
The long-awaited sophomore album from Iceland’s Legend shifts the band into an electronic rock milieu.
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Leaether Strip, “Spæctator”
Soft sounds hit hard on the new Leaether Strip record.
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Liquid Divine, “Get Off My Planet”
After a long hiatus, German electro sculptors Liquid Divine attempt to balance craft and immediacy with mixed results.
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lié, “Truth Or Consequences”
Vancouver’s lié bring the panic and fury of their recent live sets to bear on their second LP.
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Leaether Strip, “Reptile Man Drop”
Claus Larsen pays tribute to Simple Minds on a surprisingly fun new EP.
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The Legendary Pink Dots, “Pages of Aquarius”
The Legendary Pink Dots add another melancholic page to their considerable discography.
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In Conversation: Lycia, “A Line That Connects”
We discuss the mammoth new album from darkwave legends Lycia.
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lié, “Consent”
A dark and harrowing blast of goth-tinged punk from Vancouver’s lié, with plenty of style and substance.
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Einstürzende Neubauten, “Lament”
Einstürzende Neubauten revisit the scale and horror of the Great war through the lenses of their own aesthetic and war-time compositions.
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Replicas: Lassigue Bendthaus, “Matter”
Dark Entries reissues the seminal LP by Uwe Schmidt’s electro-industrial project that presaged any number of genre records that came afterwards.
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Philipp Münch & Loss, “Transcontinental Desperation”
The creative meeting of Ant-Zen roster artists Dan Fox of Loss and Phillip Münch of Synapscape sounds pretty much as you would expect it to.
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