Mild Peril, “Matter”
Mild Peril’s cosmic forays get a jolt of italo and electro, resulting in a jaunty and irrepressibly fun listen.
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Author: Bruce
Randal Collier-Ford, “गोड्स आवर नेवर स्लीप”
Dark ambient up-and-comer experiments with droning minimalism.
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Youth Code, “A Place To Stand”
The new Youth Code EP catches the band’s ferocity in greater clarity, and is proof positive of their import.
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Raison D’être, “Mise En Abyme”
The first album of new studio material from Raison D’être in five years consolidates Peter Andersson’s legacy, and offers some intriguing hints at the future of the dark ambient project.
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Weep, self-titled
Doc Hammer’s Weep re-release an album of laid back melodic post-punk…or do they?
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Idlefon, “Intensive Collectivity Known As City”
Tense and claustrophobic, Idlefon’s debut flips the IDM script while holding on to its core elements.
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Tracks: September 8th, 2014
Bruce returns from the British Isles to dish out new stuff from Chrysalide, D/SIR, Gnawed, and Ghost Actor, plus a Suicide cover from In Death It Ends and Norma Loy.
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Tangent, “Transience”
Dutch technoid duo Tangent take a slightly more ambient approach on their new record with Tympanik.
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The Fourth Man, “onaniershow”
Another piece of Vancouver’s industrial legacy re-emerges, with the never before released sophomore album from The Fourth Man.
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Cygnets, “Isolator”
Cygnets offer glammy synthrock with some nice post-punk moves and plenty of drama.
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Alter Der Ruine, “I Will Remember It All Differently”
Rip it up and start again: Alter Der Ruine overhaul their entire ethos with a fragile and emotive record that is sure to rank as one of 2014’s best.
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Surgyn, “Envy”
Surgyn’s second full-length unveils a host of new dimensions to the Scottish duo’s gilded aesthetic.
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We Have A Ghost, self-titled
The debut from this mysterious act cinches industrial rock in alongside softer blends of shoegaze and post-rock.
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In Slaughter Natives, “Cannula Coma Legio”
After a ten-year hiatus, martial industrial legends In Slaughter Natives begin stoking the fires with a warm-up release.
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The Present Moment, “Cruel”
There’s something of the uncanny in the way Scott Milton changes The Present Moment’s ethos on third album “Cruel” while still remaining utterly committed to his synth-pop roots.
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