Myths, “Myths”
Vancouver’s Myths draw from a deep well of theatrical and confrontational synth music on their noisy debut.
Read MoreVancouver’s Myths draw from a deep well of theatrical and confrontational synth music on their noisy debut.
Read More2012 rolls on with tasty new tracks and videos from Formalin, HexRX, LabXIV, and For All The Emptiness.
Read MoreThe new album from the Swedish EBM duo nods to the old school even as it leaves it behind.
Read MoreThe third album from the Los Angeles based group has its own take on industrial rock.
Read MoreReturned and re-energized, Alex shares some new tracks from X Marks the Pedwalk side-project SN-A, Salem as remixed by Atari Teenage Riot, Steve Aoki remixed by XP8 and Italian darkwavers Der Noir.
Read MoreThe mammoth compilation of old school EBM and authentic dark electro serves as an important document of the scenes it addresses.
Read MoreMenton3’s neo-classically inclined trip-hop project returns in a darker form with the soundtrack to his horror comic book.
Read MoreThe debut from Jessica White and Lorene Simpson embraces classic minimal synth tropes and leverages their timelessness to excellent effect.
Read MoreThe latest from the US hard electronic and guitar combo is a testament to their skill as producers and programmers.
Read MoreYour weekly dose of hot new jams plucked from across the spectrum of our coverage, featuring Inure, Dismantled, Roppongi Inc. Project, Spectra Paris and Displacer.
Read MoreThe self-titled debut from North Carolina’s By Any Means Necessary shows potential beyond its obvious influences.
Read MoreStarting the year off right with some excellent new songs from The Horrorist, Architect, Society Burning, Autodafeh and Dead When I Found Her.
Read MoreID:UD’s End of Year coverage starts here with a list of our 10 favourite videos of 2011!
Read MorePosted by alex | Dec 12, 2011 | Commentary, Reviews | 0
In which we examine the history of the UK sample-rockers Pop Will Eat Itself via their recent spate of reissues.
Read MoreThe new album from Germany’s widescreen EBM kings lives and dies by it’s application of their trademark style.
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