The debut album from Seeming (Alex Reed and Aaron Fuleki, ex-of ThouShaltNot) is a meditation on the end of everything we know, everything we care about, delivered in the form of a sublimely executed pop record.
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The new side-project from Assemblage 23’s Tom Shear is based around a surprisingly fresh mix of classic EBM basslines and dystopian lyrical themes.
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A terse but acidic release from Severe Illusion serves as an excellent introduction for any yet to experience the Swedish act’s bitter strain of dark electro.
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Seabound’s return is immaculately produced, but too often forsakes instrumentation for the sake of Frank Spinath’s (excellent) vocals.
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31 music cues from Cevin Key and Ken Marshall reveal a pragmatic application for their brand of spookiness.
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We use the occasion of the reissue of Greater Wrong Of The Right to talk about our impressions of Skinny Puppy’s first reunion album then and now.
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German futurepop die-hards Solitary Experiments battle the law of diminishing returns.
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The new side project of Theologian’s Fade Kainer demonstrates a preternatural talent for classic electro-industrial and dark electro.
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The Italian futurepop act rewind their sound to the 80s for a fun summer synthpop workout.
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The senior staff hashes out their complicated feelings on the new album from Vancouver`s legendary post-industrial act.
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The latest from Belgium’s harsh EBM pioneer occasionally hearkens back to the simpler style of his 90s material.
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We listen to the new album from Australia’s Snog, positioning it within the greater context of their catalogue.
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We check out the domestic release of the well-regarded 2012 album from the Russian harsh EBM act.
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We have a listen to the new digital single from the long-running Australian project.
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For the sophomore installment of our reissue series, we have a look at a semi-obscure but well-regarded dark electro album from the late 90s.
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