Spetsnaz, “For Generations To Come”
The Swedish body music traditionalists return with an album that doesn’t stray far from what they’ve always been known for.
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Alphabetical Letter: S
Severe Illusion, “Psychosurgery”
The uncompromisingly pessimistic Swedes turn up again with an EP that handily summarizes and expands their take on harsh EBM.
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Soft Kill, “Circle Of Trees”
Portland outfit coalesces around a core post-punk sound on their second LP, but manage to explore a range of moods and sounds with solid vocals providing a guiding thread.
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The Pitch: Snog, “Beyond the Valley of the Proles”
Alex tries to sell Bruce on one of Snog’s folkier outings.
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Silent Servant, “Negative Fascination”
Silent Servant’s debut full-length makes the leap earlier singles had hinted at, bridging minimal techno and early, noise-clouded incarnations of industrial in an intriguing manner.
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Spectres, “Nothing To Nowhere”
Vancouver post-punks’ sophomore record expands upon their sound and contains plenty of instant classics.
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Sonic Area, “Music for Ghosts”
The French industrial project tries its hand at various forms of soundtrack music, viewed through some very odd lenses.
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Sonar, “Cut Us Up”
The latest from Dirk Ivens’ trad power noise project stays the course, for better or worse.
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The Pitch: Soviet’s “We Are Eyes, We Are Builders”
Our regular feature in which one half of the senior staff pitches a record to the other returns, this time with some millenial synthpop in a distinctly classic vein.
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S U R V I V E, self-titled
An astonishing debut which seamlessly blends a wide range of ambient and electro sounds, while never sacrificing cohesion or accessibility.
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Skinny Puppy, “Bootlegged, Broke And In Solvent Seas”
Although lacking by its very nature the full visual experience of a Puppy show, In Solvent Seas offers some good reads on classic brappage.
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Suicide Inside, “Homicide”
The new album from the Ambassador 21 side-project reverse engineers electro-industrial from their more well-established sound.
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Sabes, “Diesel Charm”
Hearkening back to classic 90s power noise, Sabes offers some crunchy thrills but runs on a half-empty tank.
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Stromkern, “Dead Letters”
On their first new material in seven years, Stromkern appear at their most vulnerable, but also emerge strengthened.
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Spark!, “Hela Din Värld”
The new album from the Swedish EBM duo nods to the old school even as it leaves it behind.
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