Observer: Visceral Anatomy & Pod Cast
Short form reviews of new releases from Visceral Anatomy (Wingtips) and Pod Cast.
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Alphabetical Letter: P
Penelope’s Fiancé, “Psychopompos”
Rhythmic abundance and variety gives a new spin on martial and ritual industrial on Penelope’s Fiancé’s new LP.
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Observer: Gutenberg & Panther Modern
Short form reviews of new releases by Gutenberg and Panther Modern.
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Observer: Pedestrian Deposit & Operation Blue Eyes
Short form reviews of releases by Pedestrian Deposit and Operation Blue Eyes.
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The Present Moment, “Split”
The Present Moment continue to refine their soulful, new romantic aesthetic on their new LP.
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Physical Wash, “Physical Death”
Susan Subtract’s first release as Physical Wash picks up where High-Functioning Flesh left off with a set of loose and groovy body music jams.
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Observer: Petrolio & Paralyze
Short-form reviews of new EPs from Petrolio and Paralyze.
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Observer: Ivory Towers & Passing
Capsule reviews of new releases by Ivory Towers and Passing.
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Observer: Slighter & Pod Cast
Short form reviews of releases by Slighter and Pod Cast (Burial Hex, Wyrding).
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Observer: Whiteqube & PLAZAS
Short-form reviews of new work from Whiteqube and PLAZAS.
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Observer: Plack Blague & Imperial Black Unit
Short-form takes on new releases from Plack Blague and Imperial Black Unit.
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Observer: Pod Blotz & Deadframe
Capsule reviews to finish out the week, with Pod Blotz and Deadframe.
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Panic Priest, self-titled
The debut album from the Chicago based darkwave act is well presented and performed.
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Replicas: P·A·L, “Signum”
P·A·L’s first LP is reintroduced to a new generation still feeling the effects of its early blasts of power noise.
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The Prids, “Do I Look Like I’m In Love?”
The latest from Portland’s stalwart Prids prompts some reverie.
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