We Have a Technical 96: A Talking Motorcycle?
Sara and Ryan of Youth Code return for another coffee-fueled podcast of EBM and feels.
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Tag: Tympanik
We Have a Technical brings I Die: You Die's discussions of industrial, EBM, goth, dark electro, and related music genres to the podcast format. Join Alex, Bruce, and guests as they explore music's darker alternatives.
Stendeck, “Folgor”
Stendeck rewards the patient with an IDM tour de force.
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Poordream, “Ninetynine”
Poordream’s debut LP finds new and fascinating ways to construct beautiful technoid music from live and synthetic instruments.
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Idlefon, “Intensive Collectivity Known As City”
Tense and claustrophobic, Idlefon’s debut flips the IDM script while holding on to its core elements.
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Integral, “Sercosa”
German duo Integral pull off some impressive sleight of hand on an album that hovers somewhere between technoid and ambient, and between solid and incorporeal.
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Tangent, “Transience”
Dutch technoid duo Tangent take a slightly more ambient approach on their new record with Tympanik.
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Autoclav1.1, “Portents Call”
The latest from the industrial-tinged IDM act expands on a few recent ideas.
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Zinovia, “The Gift Of Affliction”
The debut record from Greek IDM/neo-classical composer Zinovia creates a rich space for reflection and daydreaming alike.
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ESA, “Themes Of Carnal Empowerment Pt 2: Deceit”
The second of the British artist’s concept albums about the darker elements of the human sexual experience rewards investment and reflection from the committed listener.
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Comaduster, “Hollow Worlds”
The first proper LP from Réal Cardinal is a triumph, both technically and artistically, and as an exercise in exploding genre via songcraft.
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An Interview with Comaduster
Just ahead of the hotly anticipated “Hollow Worlds”, Réal Cardinal of Comaduster talks to us about the producer/songwriter divide, the album’s lengthy gestation, and working in an all-digital environment
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End To End: Comaduster, “Winter Eyes”
Comaduster gives us the first glimpse of his long-awaited forthcoming LP on Tympanik.
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