Reviews
Missing Witness, “Traitors”
Seattle’s Missing Witness create murky but compelling menace with their second EP.
Observer: Whiteqube & PLAZAS
Short-form reviews of new work from Whiteqube and PLAZAS.
Replicas: Coil + Zos Kia + Marc Almond, “How To Destroy Angels”
The early and extreme experimentation of John Balance and Zos Kia is unearthed, buoyed by Marc Almond’s charisma.
Cocksure, “Be Rich”
The third LP from Jason Novak and Chris Connelly’s Cocksure shows off a looser, groovier version of the project.
Observer: Blakk Harbor & Vlimmer
Short form reviews of new releases from Blakk Harbor & Vlimmer.
Henric de la Cour, “Gimme Daggers”
Henric de la Cour’s third LP as a solo artist sounds like a struggle.
HØRD, “Parallels”
French act HØRD offers strict darkwave on their second LP.
Observer: Joel Eel + Randolph & Mortimer
Capsule reviews of new releases by Joel Eel and Randolph & Mortimer.
Individual Totem, “Electrostatic”
German stalwarts Individual Totem mix newer experimentation with older formulas on their new LP.
Leaether Strip, “World Molæster”
Claus Larsen’s latest album shows off how versatile Leaether Strip is as a project in 2018.
Observer: Cellar Graves & Razorback Hollow
Capsule reviews of new EPs by Cellar Graves and Razorback Hollow (Glass Apple Bonzai).
In Conversation: Ashbury Heights, “The Victorian Wallflowers”
The Senior Staff dig deep into the considerable charms of the new Ashbury Heights album.
