Reviews
Observer: Maenad Veyl & Ringfinger
Capsule reviews of new releases from Maenad Veyl and Ringfinger.
Chrome Corpse, “Anything That Moves”
Chrome Corpse solidify their body music sound on their excellent new LP.
Replicas: Forma Tadre, “Brightful Times”
An early EP and previously unheard demos widen the already expansive range of Forma Tadre’s sounds and influences.
Replicas: D.H.I., “Machine Altar Transmission” & “Pressures Collide”
The cult Canadian 90s industrial act re-release their catalogue via Bandcamp.
SARIN, “Moral Cleansing”
SARIN’s new LP adds moody dark electro sounds to add weight to the project’s EBM-techno delivery.
Klack, “2400bps 8-N-1”
Klack’s second EP of 2019 shows the growth of their throwback dance sounds.
Amrou Kithkin, “Sensorless”
Dreamy darkwavers Amrou Kithkin add a touch more classic goth on their most accomplished release to date.
Observer: Mind | Matter & Crystal Geometry
Capsule reviews of two French techno-industrial releases.
Totem, “Passage”
Totem’s debut album of darkwave makes an asset of foggy atmospheres and distinctive vocals.
Constance Chlore, self-titled
Constance Chlore’s debut is a tense yet quirky tour through synthpunk and EBM sounds.
Observer: Unconscious & Downwell
Thoughts on two new techno-EBM releases from Unconscious and Downwell.
Azar Swan, “The Hissing of a Paper Crane”
Azar Swan take their creative arc to its logical conclusion on their harsh new LP.
