Acretongue, “Strange Cargo”
A remarkable dark electro debut which makes strong, confident moves while subtly crafting a wholly unified and rich aesthetic.
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Author: Bruce
Controlled Bleeding, “Odes To Bubbler”
The long-running experimental outfit delivers a head-fuck of a noise rock record detailing disparate sessions from the past five years.
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Inkubus Sukkubus, “The Goat”
Pagan goth rock stalwarts add some new colours to their palette on their latest, and strike a nice balance between outside influences and their classic sound.
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Access To Arasaka, “Geosynchron”
The latest from one of the top young producers in the game jumps headlong into a pocket universe of spastic clicks and pops.
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Tracks: December 13, 2011
Newly available stuff from Access To Arasaka, Brigade Werther, Lustmord, and The Dead Milkmen (no, really).
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Gary Numan, “Dead Son Rising”
Synth godfather and ID:UD patron saint Gary Numan’s latest owes a great deal to his musical progeny, but is none the weaker for it.
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DarkDriveClinic, “Noise In My Head”
Legendary producer John Fryer releases his first album of original material, marked by a richness of sound which proves both a blessing and a curse.
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Tracks: November 30, 2011
Bruce strives to keep seasonal affective disorder at bay with new cuts from Die Selektion, Snake Dance, miserylab, and Phosgore. Also, info on Industry 8’s great new benefit compilation.
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Rome, “Die Æsthetik der Herrschaftsfreiheit”
The strongest contemporary neo-folk act going release a fantastic triple-album which thematically and formally traces connections between art and politics, and demands no small amount of thought from the listener.
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Mixed Up: Swapping 4 Cure Songs For B-Sides
Cure fans have long championed the band’s excellent B-sides. But which of those songs would actually function in the context of The Cure’s albums, and which songs should be removed to make room for them? ID:UD goes into deep Curegeek territory with four hypothetical substitutions.
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Kommunity FK, “La Santisima Muerte”
The iconic deathrock band returns with a record of glam-inflected experimentation.
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Aesthetic Pefection, “All Beauty Destroyed”
The third release from Daniel Graves’ now full-time band plays to Aesthetic Perfection’s strengths and moves the project’s sound along well – so what’s all the hubbub about?
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The Exploding Boy, “The Black Album”
Swedish post-punks come into their own on their third LP, a refreshingly bright and melodic record.
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Cryo, “Beyond”
Electro craftsman Martin Rudefelt returns with an intriguing EP rooted in the exploration of deep space.
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"I Need Something Stronger": Industrial Sample Killfile
We hold court on which long-in-the-tooth films bands need to stop sampling, and suggest some more recent alternatives.
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