Observer: June 15th 2016
EPs by Infinity’s Astrum, Herd, and Worms Of The Earth are given a once-over.
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Author: Bruce
M‡ЯC▲LL▲, self-titled
A slightly mellower suite of sounds and moods awaits listeners on self-described bloodwave outfit M‡ЯC▲LL▲’s latest.
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Hymnambulae, “Orgelhuset”
Kammarheit’s Pär Boström partners with sister Åsa for an earthier release of drones and ambiance.
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Elm, “Hardline”
Restricted Area’s Peter Elm launches a new project which puts a slight spin on his trad-EBM sounds.
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Koban, “Abject Obsessions”
Post-punk duo Koban test out some subtle upgrades to their tense delivery on their second LP.
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Terminal Gods, “Wave / Form”
On their first full-length, Terminal Gods cast as wide a net as possible across rock’s darker corners.
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Kangarot, “Wholly Hex”
Kangarot’s third LP brings a new percussive ferocity to the project’s always engaging krautrock/electro-industrial fusion.
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Sophia, “Unclean”
Sophia return with an oddly tranquil iteration of their ambient industrial sound.
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Spectres, “Utopia”
Spectres’ third LP brings a more reflective tone to the band’s post-punk core.
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Ari Mason, “Creatures”
A restrained but charismatic vocal presence guides Ari Mason’s second LP to a hypnotic state on the darkwave/synthpop border.
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Blac Kolor, “Born In Ruins”
Blac Kolor’s sophomore LP shows just how much effect can be wrought from atmospherics in the new techno/EBM hybrid.
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Synesect, “Blue Rooms”
The versatility of darkwave is exercised well on the first EP from Synesect, the new project featuring Vanessa of The Harrow.
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Tracks: March 7th, 2016
Tunes from Rotersand, A Vengeance, Blush Response, Celldöd, Econocon, and Neon Shudder.
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God Destruction, “Redentor”
The third album from Mexico’s God Destruction continues to blend black metal flourishes into the edges of the aggrotech template.
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Thoughts On Michael Gira And Larkin Grimm
A brief comment on the rape accusation currently facing Michael Gira.
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