Kollaps, “Until The Day I Die”
A third steely blast of pure industrial noise arrives from Australia’s uncompromising Kollaps.
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Alphabetical Letter: K
Kill Shelter, “Asylum”
Kill Shelter welcomes a host of goth and darkwave royalty to a record which fuses homages to the past with modern production.
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Kontravoid, “Faceless”
A killer new EP from Kontravoid shows off the Toronto’s producer’s talents for maximalist melodies and dancefloor essentials alike.
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Kanga, “You And I Will Never Die”
A smooth and subtle new record has Kanga exploring hazy pop territory and establishing a new vocal presence.
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Youth Code / King Yosef, “A Skeleton Key In The Doors Of Depression”
Youth Code team-up with producer King Yosef to explore futher evolutions of their sound on a new collaborative release.
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Kurs, “Muter”
A strong and unified debut from Kurs marshals classic electro-industrial and related sounds to excellent effect.
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Kammarheit, “Thronal”
The new record from Kammarheit speaks to the most bleak and unremitting expressions of dark ambient.
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Kite, “At The Royal Opera”
A live recording of an orchestrally-accompanied performance by Kite underlines the band’s synthpop grandeur.
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Kindest Cuts, “Keeping Distance”
The majority of Kindest Cuts small but powerful synthpop discography is collected on this LP from Oraculo Records.
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Observer: NNHMN & Werner Karloff
Reviews of new EPs by NNHMN and Werner Karloff.
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Observer: Volt 9000 & Klack
Comments on new EPs by Volt 9000 and Klack.
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Karger Traum “III”
Karger Traum bust out into wilder and dreamier areas of experimentation while still keeping one foot in minimalist EBM.
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K.I. Companion, “Music For Cars”
K.I. Companion, the new project from Andreas Meyer (Forma Tadre), brings calculated synth warmth to the autobahn.
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Kreign, self-titled
Kreign’s debut adds polished production and grimy swagger to classic EBM templates.
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Replicas: Klack, “Catching Up With Klack”
Klack consolidate their catalogue into a single LP length release that highlights their myriad charms.
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