Blutengel, “Un:Gott”
The latest from the German vampire pop act accentuates some of their hidden appeal.
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Alphabetical Letter: B
Boy Harsher, “Careful”
The sophomore album from Boy Harsher spikes their soulful electro with a hypnotic sense of intimacy.
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Borghesia, “Proti Kapitulaciji”
Borghesia continue their break from their body music past with a melancholy yet still quirky release.
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Observer: Fjerstad & Bastet
Short-form reviews of new work from Fjerstad and Bastet.
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Black Tape For A Blue Girl, “To Touch The Milky Way”
Black Tape For A Blue Girl continue to reflect on both the cosmic and the domestic with their trademark grace.
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Black Nail Cabaret, “Pseudopop”
The new album from the Hungarian synth duo lives and dies by the voice of Emese Arvai-Illes.
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Observer: Blakk Harbor & Vlimmer
Short form reviews of new releases from Blakk Harbor & Vlimmer.
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Johan Baeckström, “Utopia”
The sophomore LP from half of Daily Planet renders classic synthpop in exacting detail.
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Blac Kolor, “Awakening”
The latest from Hendrick Grothe trades in some immediacy for subtle and understated rewards.
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Binary Park, “Life on Lines”
The third album from Binary Park redresses the balance between their production and songwriting.
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Blush Response, “Infinite Density”
Blush Response’s take on industrial techno heavily favours sharp-edged sound design.
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Black Asteroid, “Thrust”
Black Asteroid’s first LP might finally find the zeitgeist catching up with Bryan Black’s style.
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Broken Thoughts, “Realign”
Broken Thoughts’ near-flawless technique and sound design yields a stunning suite of themes and atmospheres.
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Black Nail Cabaret, “Dichromat”
The first Black Nail Cabaret LP with a new lineup is resolutely held aloft by the voice of Emese Árvai-Illés.
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Bestial Mouths, “Heartless”
Bestial Mouths’ 2016 album draws from several genres and crackles with fraught energy.
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