Tracks: October 29th, 2012
Gloomy bass and deep synths take center stage in this week’s Tracks, with new fare from In Death It Ends, DSX, Legend, Monozoid, and The Soft Moon.
Read MoreGloomy bass and deep synths take center stage in this week’s Tracks, with new fare from In Death It Ends, DSX, Legend, Monozoid, and The Soft Moon.
Read MoreChris Vrenna returns to his Tweaker project for a far more minimal, percussive, and focused outing than his previous records.
Read MoreThe new Clan of Xymox covers record isn’t so much bad as wholly unnecessary, which might actually be worse.
Read MoreIchtyor Tides offer a record of drones, crackles, and French poetry which eschews common rhythmic devices for the sake of a more idiosyncratic listen.
Read MoreNew music from Legend, V▲LH▲LL, Terminal Gods, Imminent, and Double Echo, plus some fun with the ID:UD mailbag.
Read MoreCaustic doubles-down on the studio polish of last year’s outing, and field tests a wide range of sounds in rapid succession over the course of a mammoth LP.
Read MoreBelgium’s Cruise [Ctrl] draw upon Twin Peaks for inspiration on their third LP, and strike a newfound balance between noise and rhythm.
Read MoreWe mark some ID:UD milestones with new music from Officers and Gary Numan, Needle Factory, Soft Kill, Cruise [Ctrl], and Mongo Erectus.
Read MorePosted by Bruce | Sep 28, 2012 | End to End, Reviews | 0
A by-donation clutch of remixes gives some of DarkDriveClinic’s richly produced tracks some breathing room and club opportunities.
Read MoreDebut LP from Italian newcomers delivers deathrock punch and goth panache in equal doses.
Read MorePhiladelphia’s Night Sins acknowledge influences, then quickly get down to brass tacks on a steely goth/post-punk debut.
Read MoreThe Ukranian producer’s fourth LP in two years wanders far off the IDM reservation and into some compelling classically influenced territory with its sparse blend of piano, violin, and beats.
Read MoreAnother week is upon us and the hits don’t stop! Dark and trippy stuff from Nexus Kenosis, PROSYMNA, The Pain Machinery, Ghosts In The Clocktower, and S U R V I V E!
Read MoreA brief, noisy, and deceptively deep listen, X.A.O.S’ third release makes up for some muddy production with a wide range of approaches to industrial noise.
Read MoreThe diverse Belgian act plays with adding new developments in low-end into their already broad palette.
Read MoreI Die: You Die and We Have A Technical will always be ad-free. If you enjoy what we do, please consider giving us a hand with site expenses through Patreon. Even a dollar a month is appreciated, and will net you some special rewards for Patreon backers only!