Haujobb, “The Machine in the Ghost”
Haujobb’s continued pushing of the electro-industrial envelope in estranging yet compelling ways leaves them effectively peerless.
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Tag: Dependent
Every week, the Senior Staff offer their perspectives on new releases from across the industrial and goth spectra.
Observer: Comfort Cure & Black Nail Cabaret
Short form reviews of new records by Comfort Cure and Black Nail Cabaret.
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2nd Face, “utOpium”
German electro-industrialist 2nd Face deals in exacting detail and arrangement on their sophomore LP.
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Beborn Beton, “Darkness Falls Again”
The venerable German act returns with their latest LP of characteristic synthpop.
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Ner\ogris, “I Am The Shadow – I Am The Light”
Germany’s Ner\ogris impress with a debut which puts fresh spins on electro-industrial and European electro sounds.
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Mildreda, “I Was Never Really There”
Diskonnekted’s Jan Dewulf once again presses his talents for production and sound design into the service of classic dark electro for his Mildreda side-project.
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Kirlian Camera, “Cold Pills (Scarlet Gate Of Toxic Daybreak)”
A new double-LP from Kirlian Camera brings their moody and uncanny charm back to the surface, while working in some intriguing contemporary pop sounds.
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This Morn’ Omina, “The Roots of Saraswati”
This Morn’ Omina expand their sounds and ideas on their new LP.
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Fïx8:Sëd8, “The Inevitable Relapse”
German electro-industrialists Fïx8:Sëd8 continue to develop their niche on their latest album.
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Black Nail Cabaret, “Gods Verging On Sanity”
Black Nail Cabaret distill dark pop melodies and production into their strongest LP to date.
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Covenant, “Fieldworks Exkursion”
The latest from Covenant is a radically potent EP full of musical and conceptual experimentation.
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Acretongue, “Ghost Nocturne”
The long awaited follow-up to “Strange Cargo” reaffirms Acretongue’s talent for sound design and mood.
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