Flesh Field, “On Enmity”
The second LP since Flesh Field’s reactivation links the project’s newfound guitar focus back to the project’s ambitious cyber roots.
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Tag: Dependent
Every week, the Senior Staff offer their perspectives on new releases from across the industrial and goth spectra.
Haujobb, “The Machine in the Ghost”
Haujobb’s continued pushing of the electro-industrial envelope in estranging yet compelling ways leaves them effectively peerless.
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Observer: Comfort Cure & Black Nail Cabaret
Short form reviews of new records by Comfort Cure and Black Nail Cabaret.
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2nd Face, “utOpium”
German electro-industrialist 2nd Face deals in exacting detail and arrangement on their sophomore LP.
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Beborn Beton, “Darkness Falls Again”
The venerable German act returns with their latest LP of characteristic synthpop.
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Ner\ogris, “I Am The Shadow – I Am The Light”
Germany’s Ner\ogris impress with a debut which puts fresh spins on electro-industrial and European electro sounds.
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Mildreda, “I Was Never Really There”
Diskonnekted’s Jan Dewulf once again presses his talents for production and sound design into the service of classic dark electro for his Mildreda side-project.
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Kirlian Camera, “Cold Pills (Scarlet Gate Of Toxic Daybreak)”
A new double-LP from Kirlian Camera brings their moody and uncanny charm back to the surface, while working in some intriguing contemporary pop sounds.
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This Morn’ Omina, “The Roots of Saraswati”
This Morn’ Omina expand their sounds and ideas on their new LP.
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Fïx8:Sëd8, “The Inevitable Relapse”
German electro-industrialists Fïx8:Sëd8 continue to develop their niche on their latest album.
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Black Nail Cabaret, “Gods Verging On Sanity”
Black Nail Cabaret distill dark pop melodies and production into their strongest LP to date.
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Covenant, “Fieldworks Exkursion”
The latest from Covenant is a radically potent EP full of musical and conceptual experimentation.
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