Tracks: February 21st, 2023
New tunes and mixes from Crystal Geometry, DJ Shulgin (Filmmaker), Pablo Bozzi, Body Beat Ritual, Asymetric80, and Bestial Mouths.
Read MoreOur long-running Monday feature in which we feature new tracks and mixes we've been enjoying from upcoming and recent releases.
by I Die You Die | Feb 21, 2023 | Tracks | 0
New tunes and mixes from Crystal Geometry, DJ Shulgin (Filmmaker), Pablo Bozzi, Body Beat Ritual, Asymetric80, and Bestial Mouths.
Read Moreby I Die You Die | Apr 25, 2022 | Tracks | 0
The 2500th post on idieyoudie.com brings you new tracks from Bestial Mouths, Filmmaker, Landscape Body Machine, Empusae & Shinkiro, Pablo Bozzi, and A Perfect Error.
Read Moreby I Die You Die | Nov 29, 2021 | Tracks | 0
New tunes, covers, and mixes from Rein, Arnaud Rebotini, Bestial Mouths, Nuevo Testamento, The Devil & The Universe, and Ruin Of Romantics.
Read Moreby I Die You Die | Dec 15, 2020 | Reviews, Year End | 0
The first installment of the list of our fave records of 2020 is here!
Read MoreThe first Bestial Mouths LP since 2016 highlights the strength of Lynette Cerezo’s voice and vision.
Read Moreby I Die You Die | Jun 8, 2020 | Tracks | 0
New tunes from Dreamcrusher, Klutæ, Daniel Myer, Bestial Mouths, Haex, and Damascus Knives.
Read Moreby I Die You Die | Oct 26, 2019 | Tracks | 0
New Tracks from Bestial Mouths, Azar Swan, Totem, Blac Kolor, The Gothsicles and Buzz Kull.
Read MoreDarkwave and post-punk abound with songs from Bestial Mouths, Struck 9, Molchat Doma, Secret Shame and DEAD.
Read Moreby I Die You Die | Jul 2, 2019 | Tracks | 1
New tunes and mixes from Neuroticfish, D/SIR, Bestial Mouths, Andi, Uniform & The Body, and Lorn.
Read MoreColdwave goes to the disco on analog synth maven Stockhaussen’s third LP.
Read Moreby I Die You Die | Nov 14, 2017 | Tracks | 4
New music from Textbeak & Bestial Mouths, Siamgda, The Operative, Soho Rezanejad, Dead Husband, and Priest.
Read Moreby I Die You Die | Nov 9, 2017 | We Have a Technical | 1
A chat with Lynette Cerezo of Bestial Mouths touches upon the sources and transformations of the project’s dark and beguiling ethos.
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