Reviews
Tyler Newman, “Zonekiller”
Tyler Newman’s soundtrack for an as-yet unreleased SF flick sets the mood perfectly with its dystopian but ultimately catchy themes.
M‡яc▲ll▲, “HЄRЄŦłC”
The mysterious post-witch house producer continues the rapid evolution of their dusky, horror-themed style.
Die Sektor, “(-)existence”
Atlanta’s Die Sektor close off a trilogy of experimental aggrotech albums with a corker.
Klangstabil, “Shadowboy”
Long-running electronic music duo continue with the electropop direction of their last album, with the addition of some complex conceptual ideas.
Terminal Gods, “Machine Beat Messiah”
Terminal Gods’ first EP adds some dusty blues rock to their goth-punk template, and shuffles through a wide range of steps in a short spell on the floor.
Replicas: Pop Will Eat Itself “Dos Dedos Mis Amigos”
We check out the reissue of the Poppies seminal mid-Nineties industrial rock record, and the disk of unreleased material that accompanies it.
Solitary Experiments, “Phenomena”
German futurepop die-hards Solitary Experiments battle the law of diminishing returns.
Die Krupps, “The Machinists of Joy”
Returning with their first LP of all new material in 16 years, Die Krupps sound exactly as you would expect them to… in a positive way.
Wychdoktor, “Ritual”
Ottawa newcomer offers up a versatile mix of rhythmic industrial tracks.
iVardensphere, “The Methuselah Tree”
iVardensphere’s fourth LP continues the project’s explorations in rhythmic industrial and countless other sub-genres in a fashion that’s both more understated and naturally dynamic.
CONCLΔVE, self-titled
The young Filipino producer goes for obscure and mysterious without layering on the darkness in his debut for Phantasma Disques.
Statiqbloom, “Mask Visions Poison”
The new side project of Theologian’s Fade Kainer demonstrates a preternatural talent for classic electro-industrial and dark electro.
