We Have a Commentary: Collide, "Chasing the Ghost"
On this month’s bonus commentary podcast we talk Collide’s definite year 2000 release “Chasing the Ghost”.
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Author: alex
So Fragile: Alex Reed of Seeming
Alex Reed of Seeming takes us on a ride through the soulful, wide ranging influences on his recent work on our latest So Fragile mixtape.
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iVardensphere, “Hesitation”
iVardensphere’s seventh LP overall and second of 2017 speaks to the past and present of the rhythmic industrial project.
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Displacer, “The Face You Deserve”
The latest full length from Displacer speaks to the broad ideas and strong aesthetic of the IDM-Technoid project.
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We Have a Commentary: ∆AIMON, "Flatliner"
For this month’s We Have a Commentary, we’re talking a modern post-witchhouse classic, ∆AIMON’s “Flatliner”.
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Legend, “Midnight Champion”
The long-awaited sophomore album from Iceland’s Legend shifts the band into an electronic rock milieu.
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Whiteqube, “The Return”
Mutant electro act Whiteqube return with new music in the form of their first ever LP.
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Cyanotic, “Tech Noir”
Cyanotic’s fourth LP drapes an old school sound in new school programming and production.
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Slighter, “Erode”
The 5th Slighter LP uses extensive sound design and deep grooves to draw the listner into it’s new school machine rock.
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We Have a Commentary: Kirlian Camera, "Still Air"
On this special bonus podcast the senior staff discuss Kirlian Camera mid-career highlight “Still Air (Aria Immobile)”
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Sally Dige, “Holding On”
The sophomore album from the Danish-Canadian producer/performer is exacting, precise and musical.
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FIRES, “Red Goes Grey”
Eric Sochocki’s debut as FIRES uses synthwave production as a delivery mechanism for big hooks and highly emotional vocals.
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So Fragile: Colin Cameron Allrich of Slighter
This month’s So Fragile mixtape was put together by Colin Cameron Allrich of ultra-modern electronic rock project Slighter!
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Schwefelgelb, “Den Umgekehrten Atem”
The new EP from the techno-EBM duo tweaks their sound for maximum impact.
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Android Lust, “Berlin // Crater V2”
Android Lust’s new LP has songs, production and personality worthy of the project’s cult status.
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