Children On Stun, “Echoes”
Goth rock true-schoolers Children On Stun decloak off the starboard bow with a reunion EP.
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Alphabetical Letter: C
Observer: Chrome Corpse & Batch ID
Capsule reviews of short new releases by Chrome Corpse and Batch ID.
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Caustic, “Hustle and Mate”
American cult industrial project Caustic speaks to some of his influences on an interstitial release.
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Observer: Wilshire Corridor & Cruel Diagonals
Short form reviews of new work by Wilshire Corridor and Cruel Diagonals.
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Observer: Cretin Dilettante & Dead Husband
Short form reviews of releases from Dead Husband and Cretin Dilletante.
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Replicas: Coil + Zos Kia + Marc Almond, “How To Destroy Angels”
The early and extreme experimentation of John Balance and Zos Kia is unearthed, buoyed by Marc Almond’s charisma.
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Cocksure, “Be Rich”
The third LP from Jason Novak and Chris Connelly’s Cocksure shows off a looser, groovier version of the project.
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Henric de la Cour, “Gimme Daggers”
Henric de la Cour’s third LP as a solo artist sounds like a struggle.
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Observer: Cellar Graves & Razorback Hollow
Capsule reviews of new EPs by Cellar Graves and Razorback Hollow (Glass Apple Bonzai).
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Observer: Unconscious/HKKPTR & Crudmouth
Capsule reviews of a split by Unconscious & HKKPTR and the debut EP from Crudmouth (Volt 9000 and The Gothsicles).
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Jérôme Chassagnard, “Sea”
French producer Jérôme Chassagnard looks to the oceans for inspiration on his latest release.
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Replicas: Cyberaktif, “Tenebrae Vision”
A new 2CD/digital reissue from Artoffact helps contextualize the early 90s industrial supergroup.
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Replicas: The Cure, “Mixed Up / Torn Down”
The gargantuan three disc reissue of The Cure’s “Mixed Up” imitates the pop excess of the band, even if it can’t hope to circumscribe it.
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Conformco, “controlled.altered.deleted”
The new project from Sean Payne (Cyanotic) and Chris Harris (Project .44) stakes its claim to a specific vein of classic American industrial.
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Celldöd, “Fragmenterade Minnen”
Celldöd expands his vision of rough, DIY hardware-based EBM on his second LP.
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