Reviews
Iszoloscope, “All Is Immensity And Chaos”
Iszoloscope’s latest doubles back to the mixture of fury and contemplation which first brought acclaim to the rhythmic noise project.
SRSQ, “Unreality”
Kennedy Ashlyn’s debut as SRSQ finds new paths forward through difficult terrain.
Observer: Slighter & Pod Cast
Short form reviews of releases by Slighter and Pod Cast (Burial Hex, Wyrding).
Diesein, “Songs About Sally”
Laslo Antal of Sixth June injects some neon warmth into melancholia with his Diesein project’s debut.
Mlada Fronta, “No Trespassing”
Mlada Fronta continue down a synthwave path which has become somewhat formalist.
Observer: Virtues & Failings and KnK
Capsule reviews of releases by Virtues & Failings, and KnK.
Analfabetism, “Kniven Sitter Kvar i Bonden”
Fredrik Djurfeldt’s Analfabetism project turns its industrial noise toolkit in a somber and reflective direction.
Michael Idehall, “Aion Reborn”
Prolific ritual industrialist Michael Idehall goes subterranean on his new release.
Reptilicus & Senking, “Unison”
Freewheeling experimentalism defines these otherwise foreboding sounds on this long-gestating collaboration.
Missing Witness, “Traitors”
Seattle’s Missing Witness create murky but compelling menace with their second EP.
Observer: Whiteqube & PLAZAS
Short-form reviews of new work from Whiteqube and PLAZAS.
Replicas: Coil + Zos Kia + Marc Almond, “How To Destroy Angels”
The early and extreme experimentation of John Balance and Zos Kia is unearthed, buoyed by Marc Almond’s charisma.