Reviews
Haujobb, “New World March”
Haujobb’s vision of the future defies augury, and our scrivening.
Alter Der Ruine, “Son of a Bitch”
Alter Der Ruine’s fourth album presents a sonically unified front without sacrificing the group’s eclectic tendencies.
Auto-Auto, “Dancing Through Dark Times”
ID:UD has a listen to the third album of quirky electropop from Sweden’s Auto-Auto.
Rome, “Die Æsthetik der Herrschaftsfreiheit”
The strongest contemporary neo-folk act going release a fantastic triple-album which thematically and formally traces connections between art and politics, and demands no small amount of thought from the listener.
End to End: FGFC820, “Defense Condition 2” EP
We have a listen to each track of FGFC820’s new remix EP of militaristic harsh EBM.
Kommunity FK, “La Santisima Muerte”
The iconic deathrock band returns with a record of glam-inflected experimentation.
Arzt+Pfusch, “Lictor Evaporated”
The first physical release from the duo in over a decade isn’t the same old noisebmstupidevildustrial you might expect.
Aesthetic Pefection, “All Beauty Destroyed”
The third release from Daniel Graves’ now full-time band plays to Aesthetic Perfection’s strengths and moves the project’s sound along well – so what’s all the hubbub about?
Kirlian Camera, “Nightglory”
The ID:UD favorites’ new album of uplifting, majestic darkwave is typically grand.
Encephalon, “The Transhuman Condition”
Ottawa’s electro-industrial trio Encephalon deliver a debut album of surprising depth and complexity.
The Exploding Boy, “The Black Album”
Swedish post-punks come into their own on their third LP, a refreshingly bright and melodic record.
XP8, “X: A Decade of Decadence”
Italy’s XP8 celebrate their tenth anniversary with a maxi-EP that handily summarizes their strengths.
