Buzz Kull, “Deep Hate”
A club-friendly EP of originals and remixes keeps Buzz Kull’s yen for body music and electro-darkwave in the spotlight.
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Author: Bruce
Observer: Run Level Zero & Belgrado
Thoughts on new EPs from Run Level Zero and Belgrado.
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Scheitan, “Wine For A Tormented Soul”
Pop-driven goth rock anthems and the genre’s brooding flip side make up the polar extremes of the new LP by Scheitan.
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Tracks: February 2nd, 2026
New music from so many cool acts, including Kontravoid, Ony Godfrey, Menticide, Alien Faktor, Produit Judiciaire ft Moravie, and Lucifer’s Aid.
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CK 37, “Inget Hat”
Swedish EBM act CK 37 bring a good-natured sense of fun and self-deprecation to the core sounds and concerns of the genre on their debut.
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David Galas, “The Nihilist”
A brooding but well-paced release from Lycia’s David Galas bridges goth’s past and present.
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Sarin, “Searching Hell”
The first record in six years from Sarin brings a decidedly industrial focus to the TBM project.
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T.O.Y., “The Prophet”
An exercise in pure, classic synthpop feels like the culmination of T.O.Y.’s longstanding transformation.
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Das Ich, “Fanal”
Das Ich’s first album in nearly two decades holds to the dramatic and honest blend of darkwave, goth, and industrial which made them so sorely missed.
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X Marks The Pedwalk, “Insomnia”
X Marks The Pedwalk’s long-running second act firmly shifts into pure synthpop territory with the charming “Insomnia”.
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Home Front, “Watch It Die”
Streetpunk and synthpop blend into massive anthems on the latest from Edmonton’s Home Front.
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Lana Del Rabies, “Omnipotent Fuck”
Lana Del Rabies’ visceral and personal approach to death industrial continues to expand its sonic and thematic range.
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Ash Barrett, “Uncaged”
Former Tassel member Ash Barrett returns to his noise rock roots with an extra application of industrial grime.
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Morwan, “Vse po kolu, znovu”
Morwan’s latest record brings unexpected weight and muscle to the project’s normally lithe and folk-inspired post-punk.
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Zanias, “Cataclysm”
While adding some trance and pop colour to her read on darkwave, “Cataclysm” finds Zanias morphing and mutating in response to her own body of work.
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