Reviews
Miracle, “The Living Likeness of My Electric Daemon”
The third LP from the synthpop duo is rich with songcraft, fine production and esoteric reference.
Sad Lovers & Giants, “The Weight of Forgotten Dreams”
Cult post-punk dreamers Sad Lovers & Giants sound perfectly like themselves on their somber but heartening new LP.
Norillag, “Kombinat”
A studio floor recording captures the intensity of Norillag’s scrap metal industrial performances.
Observer: ARMOURS and Run Level Zero
Thoughts on new EPs by ARMOURS and Run Level Zero.
Antigen Shift, “Verified Unidentified”
Antigen Shift return in grand fashion with a record drawing upon the last quarter century of industrial sub-styles.
The Foreign Resort, “Endurance”
Danish post-punk trio bring the thrashing emotion and conviction of their live show to their new album.
Observer: B!CEP and Profligate
Reviews of new EPs by B!CEP and Profligate.
Kant Kino, “Echoes of the End”
Norwegian electro-industrialists Kant Kino return with a huge double album of solid, groovable electro that maintains their unique sensibility.
Puerta Negra, “Metafísica”
Puerta Negra return with a welcome blast of their raw, mutant EBM sound.
Observer: A Body Without & Aurat
Thoughts on new EPs by A Body Without and Aurat.
Requiem In White, “The Visible Heaven”
Requiem In White return in grand goth rock fashion after a three decade layoff.
Hallows, “Dream”
Hallows move towards synthpop on their newest, and most consistent LP.
