Home Front, “Watch It Die”
Streetpunk and synthpop blend into massive anthems on the latest from Edmonton’s Home Front.
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Reviews
Every week, the Senior Staff offer their perspectives on new releases from across the industrial and goth spectra.
Observer: Automelodi & snakeatsnake
Capsule reviews of new records by Automelodi and SNAKEATSNAKE.
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We Have A Technical 585: Sisyphus Pasta
We’re each picking five side projects for discussion on this week’s podcast.
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Lana Del Rabies, “Omnipotent Fuck”
Lana Del Rabies’ visceral and personal approach to death industrial continues to expand its sonic and thematic range.
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Odonis Odonis, self-titled
Toronto duo Odonis Odonis take a turn towards lean, vocally-driven post-punk on their new LP.
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Assemblage 23, “Null”
Tom Shear’s latest is a testament to his continued growth as a songwriter, producer, and vocalist.
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Ash Barrett, “Uncaged”
Former Tassel member Ash Barrett returns to his noise rock roots with an extra application of industrial grime.
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Observer: Spammerheads & Sophrosyne
Capsule reviews of new records by Spammerheads and Sophrosyne.
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Morwan, “Vse po kolu, znovu”
Morwan’s latest record brings unexpected weight and muscle to the project’s normally lithe and folk-inspired post-punk.
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s:cage, “We End in a Beautiful Mess”
Ottawa technoid producer s:cage’s first album in almost twenty years threads the needle of design versus emotion.
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Gatekeeper, “Wrong Planet”
The long-awaited return of the groundbreaking electronic project shows they haven’t lost a step in their genre warping electronic explorations.
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The Tear Garden, “Astral Elevator”
The partnership between Edward Ka-Spel and Cevin Key remains delightfully odd, and low-key glorious on their new LP.
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