Caustic, “Fiend II”
A month after its companion release, “Fiend II” focuses on the downcast side of longtime Madison producer Caustic’s work.
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Reviews
Short form reviews of EPs and releases somewhat outside the site's usual purview.
Patriarchy, “Manual for Dying”
The Los Angeles provocateurs have a lot more going for them than their image on their latest LP.
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Observer: Access To Arasaka & Trepaneringsritualen
Brief takes on new releases from Access to Arasaka and Trepaneringsritualen.
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Die Anstalt, self-titled
The semi-anonymous German trio trade in classic synthpunk and body music with a healthy dose of guitar twang on their debut LP.
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Chameleons, “Arctic Moon”
The first Chameleons album in twenty-four years marks some breaks with the band’s storied past while maintaining their romantic spirit.
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Promenade Cinema, “Afterlife”
The third album from UK duo Promenade Cinema offers a clutch of elegantly balanced but dramatically delivered darkwave/electropop tunes.
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Rhys Fulber, “Memory Impulse Autonomy”
Rhys Fulber’s new LP finds the producer exploring both his influences and his classic and modern approaches to inspiring effect.
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Observer: Run Level Zero & aliceffekt
Thoughts on new EPs by Run Level Zero and aliceffekt.
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Diesein, “I Like It / I Hate It”
The Sixth June side-project returns with another album of mannered, melancholic synthpop in a classic vein.
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HIDE, “Spit Or Swallow Every Soul Will Taste Death”
HIDE’s spleen is vented in some new yet still abrasive and noisy directions on a new EP.
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Observer: Years of Denial & Olvido
Thoughts on new releases by Years Of Denial and Olvido.
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Ash Code, “Synthome”
Darkwave vets Ash Code come back from hiatus with a solid and varied effort.
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