DSX, “Cold Ballads”
Dejan Samardzic’s minimal electro outlet DSX returns in a new form that speaks to his history within and without the project.
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Reviews
Every week, the Senior Staff offer their perspectives on new releases from across the industrial and goth spectra.
Eddie Dark, “Touch My Elektroniks”
Greece’s Eddie Dark shifts away from darkwave and into a sped-up and aggressive mode which recalls industrial dancefloors of the mid 00s.
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Observer: Mal-Ism & In The Nursery
Thoughts on new and archival work from Mal-Ism and In The Nursery, respectively.
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Monolith, “Yama”
The latest from veteran rhythmic noise project Monolith takes a turn into contemplative tribal industrial.
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This Morn Omina, “Insha”
Long-running ritual industrial act This Morn Omina delivers a varied and often ambient album for Cryo Chamber.
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Observer: Feyleux & Body System
Thoughts on new EPs by Feyleux and Body System.
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Converter, “The Four Last Things”
The unanticipated and probably final statement from the influential rhythmic noise act comes to us via an unexpected creative partnership.
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Flesh Field, “On Enmity”
The second LP since Flesh Field’s reactivation links the project’s newfound guitar focus back to the project’s ambitious cyber roots.
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Buzz Kull, “Deep Hate”
A club-friendly EP of originals and remixes keeps Buzz Kull’s yen for body music and electro-darkwave in the spotlight.
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WARDAY, “Stay Behind”
The one-man synthpunk outfit makes basement show shoutalongs drenched in paranoia and anger.
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KMFDM, “Enemy”
KMFDM are doing it again, for better or worse.
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Observer: Run Level Zero & Belgrado
Thoughts on new EPs from Run Level Zero and Belgrado.
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