You know, we keep saying to ourselves that some day we’ll make the trip to WGT, just to have the experience of seeing a bunch of Euro bands that never come to North America, and just to soak up the ambience of 10,000 goths in a city not much more populous than Edmonton. For now though we have to settle for scene reports from friends who made the trek including which bands got wreck (we hear Wulfband and ACTORS scored big unsurprisingly), and exactly how bananas the line-ups to get into the venues were. Were you there this year? Holler at us about what you saw that was good in the comments! On to Tracks!
Body Break, “four”
Ask a Canadian of a certain age about Body Break and they’ll probably say something about Participaction or namedrop Hal Johnson or Joanne McLeod at you. We have no doubt that those TV ads served as the inspiration for the name of the new project from Wire Spine/Weird Candle’s Robert Katerwol and Robert Recluse of Void Mirror, which sits nicely in the new beat/italo/EBM pocket. Word is that these demos will be developed a bit more with some guest vocalists and then compiled into a full release at a later date, so here’s your chance to get ahead of the curve.
Rhys Fulber, “Limited Vision”
Few people native to Our Thing have as many decades of studio experience in as many genres as Rhys Fulber. While the man himself needs no introduction, the notion of him tossing his hat into the techno/industrial ring (with a release on no less notable a label than Sonic Groove, to boot) merits some extra consideration. Having had a large hand in forging the sort of sounds and textures many contemporary producers are currently reaching for, it’s likely that his Your Dystopia, My Utopia record will offer a new perspective on that oh-so happening nexus. Expect a full review on this site shortly, and notice the slowly unfolding cinematic pads Fulber uses to add grandeur to this track’s core tension.
Agent Side Grinder, “In From the Cold”
The second taste of the new incarnation of Agent Side Grinder is suiting us just fine, thanks for asking. When the video for “Doppelgänger” dropped last month we commended AGS for going in a new direction that seemed commensurate with the new line-up, leaner and more tense and hypnotic. “In From the Cold” isn’t quite so rangy but does make good use of angular sequencing and a pleasingly melodic chorus to compliment the cold war samples that adorn it. We’re ready to hear what these good Swedish cats have in store for their first full-length in the new configuration.
Here’s some gauzy work which rides the border between darkwave and synthpop with plenty of personality. Hailing from – where else? – Sweden, Roya’s tracks are full to the brim with atmosphere, and despite using some rather left-field instrumentation choices, presents her work with sharp senses of timing and songcraft. Worth digging into at greater length, we think.
Why, just the other day we were having a conversation about San Francisco’s Inhalt, with the question being when we would next hear new material from them. Turns out that the next release Content will be coming direct from Dark Entries, and consist of four new tracks and their instrumental versions. Hard to tell what direction the act has gone in although from the instrumental version of “Alles” linked below they haven’t abandoned their knack for retro-synth, with some added body music and komische flavour. Very keen to hear the rest of the EP, as we’ve noted before the fact that Inhalt have garnered so many fans on the basis of such a small catalogue is a testament to just how good their stuff is.
Dame Area, “Sfingi”
Lastly, from Barcelona come Dame Area, a duo who cite Coil and TG alongside Italian pop auteur Franco Battiato as influences. The pair trade in what might be most easily recognizable as minimal wave, but often offset with metallic percussion and a flair for the dramatic which isn’t often found in a genre commonly taken to be recalcitrant. Murky yet strident, it’s an interesting spin on some familiar styles.