HIDE, “Spit Or Swallow Every Soul Will Taste Death”
HIDE’s spleen is vented in some new yet still abrasive and noisy directions on a new EP.
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Author: Bruce
Ash Code, “Synthome”
Darkwave vets Ash Code come back from hiatus with a solid and varied effort.
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Gaping Chasm, “Ergospective”
An archival release from Slovakia’s Gaping Chasm functions as a potent time capsule of 90s dark electro.
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Rosetta Stone, “Dose Makes The Poison”
The sound and themes of the second incarnation of goth rock legends Rosetta Stone continues to come into focus.
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Spark!, “Cirkeln Är Sluten”
Spark! pay off the anticipation for the reunion of the Swedish EBM act’s original line-up.
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Rotersand, “Don’t Become The Thing You Hated”
Rotersand buttress their club material with the softer elements of synthpop to the strength of both on new record “Don’t Become The Thing You Hated”.
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Black Magnet, “Megamantra”
Black Magnet take their brand of industrial metal in a hardcore direction while maintaining their core elements.
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Incendie, “Drowning”
The new record from Incendie (A.T.T. Corp) blends modern TBM with vintage rhythmic noise to mixed results.
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Sally Dige, “Holding The Sun”
A brighter take on dreampop and darkwave yields Sally Dige’s best work to date.
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ESA, “Sounds For Your Happiness”
ESA returns with another gruelling display of metal-inflected rhythmic noise.
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Empusae, “The Alchemist’s Rift”
Empusae’s latest shows off the dark ambient vet’s mastery of sound design and composition.
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General Dynamics, “Where Animals Play”
A second LP from General Dynamics bridges William Maybelline (Qual) and Emad Dabiri’s (SARIN) talents for classic and grimy 90s electro with modern club floors.
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Youth Code, “Yours, With Malice”
Youth Code’s return is a reminder of why their hybrid of EBM and electro-industrial was so welcome a decade back.
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Gallows’ Eve, “For The Black Birds”
Gallows’ Eve continue to outpace the rest of the trad goth field with a strong second LP.
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Lana Del Rabies, “Le Temps Viendra”
A concept EP concerning Anne Boleyn makes for an oddly suitable platform for Lana Del Rabies’ equally considered and extreme brand of death industrial.
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