The Present Moment, “Split”
The Present Moment continue to refine their soulful, new romantic aesthetic on their new LP.
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Author: alex
Test Dept, “Disturbance”
The first new Test Dept recordings in 20 years speaks to their history while tackling the politics of today.
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Replicas: Grendel, “Inhumane Amusement At The End Of Ages : Redux”
The new reissues of Grendel’s earliest material benefits hugely from a remaster that brings it’s finer details into the light.
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OHMelectronic, self-titled
The sophomore effort from Vancouver industrialists Chris Peterson and Craig Huxtable is both lean and ferocious.
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Blutengel, “Un:Gott”
The latest from the German vampire pop act accentuates some of their hidden appeal.
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Standalone, self-titled
Hate Dept’s Seibold’s debuts an electro-pop project with an earthy appeal.
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Caustic, “Hustle and Mate”
American cult industrial project Caustic speaks to some of his influences on an interstitial release.
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Hante., “Fierce”
Hante.’s 4th LP shows off Hélène de Thoury’s distinct personality as a artist and producer.
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Replicas: Fektion Fekler, “From Here to Heaven”
Fektion Fekler makes their minor classic electro-industrial debut available again via Bandcamp.
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Poison Point, “Bestiensäule”
The 2018 EP from the French act has hidden subtleties.
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Neuroticfish, “Antidoron”
The second post-hiatus LP from Neuroticfish taps into the project’s deep well of sincerity.
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Black Nail Cabaret, “Pseudopop”
The new album from the Hungarian synth duo lives and dies by the voice of Emese Arvai-Illes.
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Syrian, “Sirius Interstellar”
Italian duo Syrian try on a few different styles on their fifth LP.
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Observer: Cretin Dilettante & Dead Husband
Short form reviews of releases from Dead Husband and Cretin Dilletante.
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In Strict Confidence, “Hate2Love”
The new album from the German veterans is executed with skill, but suffers from a lack of worthwhile songs.
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