This Morn Omina, “Insha”
Long-running ritual industrial act This Morn Omina delivers a varied and often ambient album for Cryo Chamber.
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Author: alex
Converter, “The Four Last Things”
The unanticipated and probably final statement from the influential rhythmic noise act comes to us via an unexpected creative partnership.
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WARDAY, “Stay Behind”
The one-man synthpunk outfit makes basement show shoutalongs drenched in paranoia and anger.
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KMFDM, “Enemy”
KMFDM are doing it again, for better or worse.
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Trait D’Union, “Il n’y a Pas d’Ailleurs”
Hardcore tinged post-punk and darkwave from France, with a healthy amount of fight in its gloomy outlook.
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Dulce Liquido, “Mind Domination”
Hocico’s Racso Agroyam resurrects his rhythmic noise project, with an expansive new LP.
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Grizz, “Nocturnal”
Los Angeles darkwave act Grizz shows his range and his charisma on his new collection of songs.
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Lost Signal, “Light of Other Days”
The depressive futurepop project sticks close to melancholy on their latest album.
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Restive Plaggona, “Primal Nature”
Greece’s Restive Plaggona is noisy and thoughtful in equal measure on their third LP of 2025.
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Seeming, “The World”
Seeming’s fourth album of post-everything electronic songcraft is about the world, and how we move through it.
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We Have a Technical 587: General Electric Smith
We chat with Abelardo of The Invisible Orange about live events promotion within and without goth and industrial music in the modern day.
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Black Dahlia, “The Imposter”
Black Dahlia’s weirdo artpop sound comes into its own on their excellent new LP.
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Wants, “In Plain Sight”
Calgary’s Wants has new wave charm to spare on their debut LP.
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Odonis Odonis, self-titled
Toronto duo Odonis Odonis take a turn towards lean, vocally-driven post-punk on their new LP.
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Assemblage 23, “Null”
Tom Shear’s latest is a testament to his continued growth as a songwriter, producer, and vocalist.
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