Patriarchy, “Manual for Dying”
The Los Angeles provocateurs have a lot more going for them than their image on their latest LP.
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Author: alex
Die Anstalt, self-titled
The semi-anonymous German trio trade in classic synthpunk and body music with a healthy dose of guitar twang on their debut LP.
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Rhys Fulber, “Memory Impulse Autonomy”
Rhys Fulber’s new LP finds the producer exploring both his influences and his classic and modern approaches to inspiring effect.
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Diesein, “I Like It / I Hate It”
The Sixth June side-project returns with another album of mannered, melancholic synthpop in a classic vein.
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Dancing Plague, “Domain”
The Portland darkwave project’s new LP shows off their economy, and their grave melodrama.
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Caustic, “Fiend I”
The cult American industrial act returns, in all its sincere, DIY glory.
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Panic Priest, “Once Wild”
The Chicago project comes through with some of its most focused and fun dark new wave to date.
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Comaduster, “Memory Echoes”
Comaduster returns with a complex and emotional album that takes the project’s mixture of IDM, post-rock and bass music into still more stunning forms.
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Slighter, “In Ruins”
The latest from Colin Cameron’s Slighter seethes through its blend of booming percussion and cinematic sound design.
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Ye Gods, “May Your Love Shine Brighter than the Sun”
Antoni Maiovvi’s Ye Gods project concludes its trilogy of 2025 releases with a record of harmony in the face of esoteric wonder.
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Orphx, “Theikos”
Orphx’s new EP is yet another reminder of why the project has stayed relevant to techno and industrial.
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Lebanon Hanover, “Asylum Lullabies”
The latest from Lebanon Hanover delivers a potent dose of high-test misery.
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Mari Kattman, “Year of the Katt”
The Boston chanteuse’s new LP is a nice signpost for her development as songwriter and producer.
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Moon 17, “TX_1320”
The long awaited debut album from Kansas City’s Moon 17 pays off in a collection of detailed, yet rough-and-ready industrial.
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Static Ghost, “Breaching Flesh”
The Pacific Northwest industrial act brings some new atmosphere and texture to his stomping productions.
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