Randolph & Mortimer, “The Penultimate Truth”
A somewhat unexpected and voluminous remix release from Randolph & Mortimer offers loads of club fare and a reminder of how versatile that project’s reads on dance music at large can be.
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Reviews
Every week, the Senior Staff offer their perspectives on new releases from across the industrial and goth spectra.
Madeline Goldstein, “Speaking to the Body”
Los Angeles electronic chanteuse Madeline Goldstein comes through with an album of considerable charm and stature.
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Sonic Area, “And Shadow”
Even in a club inspired new record, Arnaud Coëffic’s Sonic Area project casts fresh perspectives on electronic minimalism.
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Observer: Avskedsrum & Ratpajama
New material from Avskedsrum and Ratpajama is examined.
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Divider, “Zero”
LA act Divider’s approaches to EBM remain deceptively complex as ever on their new record.
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Verttigo, “Tomorrow Is Gone”
Edmonton’s Verttigo hit the middle ground between dreampop and post-punk on their debut LP.
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Mecha Maiko, “Nervous System”
The Canadian electropop chanteuse makes weirdly relatable, charming tunes on the new LP.
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Diavol Strâin, “Eterno Retorno”
A bracing and full-bodied blast of maximalist darkwave from Chile’s Diavol Strâin makes a strong early bid for darkwave record of the year.
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Mesh, “The Truth Doesn’t Matter”
Veteran synthpop/rock fusionists Mesh draw together some of their best songwriting and arrangement manoeuvres.
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clubdrugs, “lovesick”
Chicago darkwave-pop duo clubdrugs come through with a lush, catchy and thoroughly enjoyable debut LP.
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Observer: Marie Ann Hedonia & Corpse Dust
Discussion of new EPs by Marie Ann Hedonia & Corpse Dust.
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The Violent Youth, “tsvety”
Depressive Euro post-punk is the order of the day on the latest from The Violent Youth.
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