Observer: Statiqbloom & dormnt
For the final Observer of the year, we look at new releases by Statiqbloom, and dormnt.
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Tag: Reviews
Short form reviews of EPs and releases somewhat outside the site's usual purview.
Seeming, “The World”
Seeming’s fourth album of post-everything electronic songcraft is about the world, and how we move through it.
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Das Ich, “Fanal”
Das Ich’s first album in nearly two decades holds to the dramatic and honest blend of darkwave, goth, and industrial which made them so sorely missed.
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Qual, “Love Zone”
The new Qual LP is musically minimalist but still thematically bleak and garish.
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X Marks The Pedwalk, “Insomnia”
X Marks The Pedwalk’s long-running second act firmly shifts into pure synthpop territory with the charming “Insomnia”.
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Black Dahlia, “The Imposter”
Black Dahlia’s weirdo artpop sound comes into its own on their excellent new LP.
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Observer: Trace Amount & The Kings Of Black Magic
Short form reviews of new records by Trace Amount and The Kings Of Black Magic (∆AIMON, SØLVE).
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Wants, “In Plain Sight”
Calgary’s Wants has new wave charm to spare on their debut LP.
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Home Front, “Watch It Die”
Streetpunk and synthpop blend into massive anthems on the latest from Edmonton’s Home Front.
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Observer: Automelodi & snakeatsnake
Capsule reviews of new records by Automelodi and SNAKEATSNAKE.
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Lana Del Rabies, “Omnipotent Fuck”
Lana Del Rabies’ visceral and personal approach to death industrial continues to expand its sonic and thematic range.
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Odonis Odonis, self-titled
Toronto duo Odonis Odonis take a turn towards lean, vocally-driven post-punk on their new LP.
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