Qual, “Love Zone”
The new Qual LP is musically minimalist but still thematically bleak and garish.
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Tag: Reviews
Short form reviews of EPs and releases somewhat outside the site's usual purview.
X Marks The Pedwalk, “Insomnia”
X Marks The Pedwalk’s long-running second act firmly shifts into pure synthpop territory with the charming “Insomnia”.
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Black Dahlia, “The Imposter”
Black Dahlia’s weirdo artpop sound comes into its own on their excellent new LP.
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Observer: Trace Amount & The Kings Of Black Magic
Short form reviews of new records by Trace Amount and The Kings Of Black Magic (∆AIMON, SØLVE).
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Wants, “In Plain Sight”
Calgary’s Wants has new wave charm to spare on their debut LP.
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Home Front, “Watch It Die”
Streetpunk and synthpop blend into massive anthems on the latest from Edmonton’s Home Front.
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Observer: Automelodi & snakeatsnake
Capsule reviews of new records by Automelodi and SNAKEATSNAKE.
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Lana Del Rabies, “Omnipotent Fuck”
Lana Del Rabies’ visceral and personal approach to death industrial continues to expand its sonic and thematic range.
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Odonis Odonis, self-titled
Toronto duo Odonis Odonis take a turn towards lean, vocally-driven post-punk on their new LP.
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Assemblage 23, “Null”
Tom Shear’s latest is a testament to his continued growth as a songwriter, producer, and vocalist.
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Observer: Spammerheads & Sophrosyne
Capsule reviews of new records by Spammerheads and Sophrosyne.
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Morwan, “Vse po kolu, znovu”
Morwan’s latest record brings unexpected weight and muscle to the project’s normally lithe and folk-inspired post-punk.
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