Bootblacks, “Paradise”
An excellent new LP from Bootblacks coalesces their long-standing strengths with melodic and atmospheric unity.
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Tag: Reviews
Every week, the Senior Staff offer their perspectives on new releases from across the industrial and goth spectra.
Pixel Grip, “Percepticide: The Death of Reality”
Pixel Grip’s long-awaited new record finds them exploring more complex emotions between sweaty dancefloor heaters.
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Youth Code, “Yours, With Malice”
Youth Code’s return is a reminder of why their hybrid of EBM and electro-industrial was so welcome a decade back.
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Gallows’ Eve, “For The Black Birds”
Gallows’ Eve continue to outpace the rest of the trad goth field with a strong second LP.
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Lead Into Gold, “Knife the Ally”
Paul Barker finds a middle ground between experimentalism and formal structures on his latest as Lead Into Gold.
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Observer: E.T. & Nuxx
New releases from E.T. and Nuxx are considered.
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Ships In The Night, “Protection Spells”
The Metropolis debut from the witchy electropop act brims with likeable, earthy confidence.
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Lana Del Rabies, “Le Temps Viendra”
A concept EP concerning Anne Boleyn makes for an oddly suitable platform for Lana Del Rabies’ equally considered and extreme brand of death industrial.
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Crush Of Souls, “Lézire”
The second Crush Of Souls LP flits between familiar retreads of classic new wave and some subtler moves.
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V▲LH▲LL, “Skymningsdjur”
Post-witchhouse act V▲LH▲LL do what they do on their new LP.
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Valisia Odell, “Shadow Of A Dream”
An arresting vocal presence guides Valisia Odell’s first solo darkwave release.
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Nevada Hardware, “Split Scene”
The Chicago instrumental project channels big beat, industrial and myriad other sounds into a sample-heavy cyberpunk smorgasbord.
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