Caldon Glover, “Ùir”
Caldon Glover continues their expedition into the metaphysical corners of dark ambient with their latest LP.
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Tag: Album Reviews
Every week, the Senior Staff offer their perspectives on new releases from across the industrial and goth spectra.
Kill Shelter, “Asylum”
Kill Shelter welcomes a host of goth and darkwave royalty to a record which fuses homages to the past with modern production.
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Night Sins, “Violet Age”
Night Sins fuse their existing synthpop and goth rock sounds to mixed results.
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Ritualz, “Radical Macabro”
Ritualz pushes forward with heavy hitting melodic darkwave which still has roots in early witch house.
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Silver Walks, “Various Positions”
Silver Walks’ first LP refreshes familiar influences with a varied and considered set of tracks from across the electro and industrial spectra.
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Filmmaker, “Fictional Portrayals”
Filmmaker’s voluminous run of hybrid EBM stylings continues apace.
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X Marks The Pedwalk, “New / End”
A sleek and elegant new record of melodic electro shows off X Marks The Pedwalk’s sense of self-curation.
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In The Nursery, “Humberstone”
In The Nursery voyage through their own family archives, and bring some rediscovered post-punk energy to their masterful orchestral talents.
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Crystal Geometry, “I Stare Into Darkness”
The third record in as many years from Crystal Geometry underscores Maxime Fabre’s talents at working metal elements into TBM production.
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My Love Kills, “To A New World Of Gods And Monsters”
Solid melodies and canny electro-industrial instincts make for a breakthrough record from My Love Kills.
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Synapscape, “The Stable Mind”
Synapscape reach back to the heyday of acid techno and fuse it to their trademark rhythmic noise.
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Forever Grey, “Sympathy Garden”
Forever Grey add some slightly melodic shades to their weighty darkwave palette, but the overall picture remains decidedly stygian.
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